PREFACE............................................................................. 5 Nicoletta Caputo “Which Play Was of a King How He Should Rule His Realm”: Tudor Interludes Advising the Ruler................................................. 7 A. J. Piesse Conventional Voices and the Limits of Language in John Heywood’s A Play of Love..................................................................... 29 András Kiséry Voice, Inscription, and Immortality in Early Seventeenth-Century English Poetry.... 41 Matthew Candelaria The Voices of Objects in Orlando Furioso and The Faerie Queene..................... 65 György E. Szonyi Cross-Dressing the Tongue: Petrarchist Discourse and Female Voice in Queen Elizabeth’s Sonetto................ 77 Sabine Schülting “Indianized with the Intoxicating Filthie Fumes of Tobacco”: English Encounters with the “Indian Weed”.......................................... 93 Mike Pincombe His Master’s Voice: The Conjuring of Emperors in Doctor Faustus and Its Sources in the German Tradition............................................... 117 Iván Nyusztay The “Piece of Work” and the “Quintessence of Dust”: The Elevation and Depreciation of Man in the Renaissance.......................... 133 Csilla Kelemen Images of Passion, Rape, and Grief: A Comparative Analysis of Shakespeare’s Rape of Lucrece and Titus Andronicus.............................................. 151 Géza Kállay The Casket, the Ring, and the Bond: Semantic Strategies in Shakespeare’s The Merchant of Venice............................................................ 175 Tibor Fabiny The Ear as a Metaphor—Aural Imagery in Shakespeare’s Great Tragedies and Its Relation to Music and Time in Cymbeline and Pericles.......................... 189 Gabriella T. Giorno The Reflected Tempest and Prospero’s “Calling Word”............................... 203 INTERVIEW Márta Minier An Interview with István Eörsi about Translation.................................. 211 REVIEW ESSAY István D. Rácz Larkin and His Subversive Self: Philip Larkin: Subversive Writer.................. 217 BOOK REVIEWS Beal, Peter. In Praise of Scribes: Manuscripts and Their Makers in Seventeenth-Century England, by András Kiséry.................................................................. 223 Demcsák, Katalin, and Attila Kiss, eds. Színház-szemiográfia: Az angol és olasz reneszánsz dráma és színház ikonográfiája és szemiotikája [Theatre-semiography: The Iconography and Semiotics of English and Italian Drama and Theatre], by Katalin Tabi................................................................... 226 Stríbrný, Zdenek. Shakespeare and Eastern Europe, by Márta Minier................................................................... 230 Fish, Stanley. How Milton Works, by Miklós Péti.................................................................... 237 Matthews, Samantha. Poetical Remains. Poets’ Graves, Bodies, and Books in the Nineteenth Century, by Krisztina Timár................................................................ 241 Thieme, John. Postcolonial Con-texts: Writing Back to the Canon. Literature, Culture and Identity, by Zsuzsanna Koós................................................................. 244 Wiles, David. A Short History of Western Performance Space, by Boróka Prohászka Rád........................................................... 246 Bartter, Martha, ed. The Utopian Fantastic: Selected Essays from the Twentieth International Conference on the Fantastic in the Arts, by Csaba Molnár................................................................... 247 Palumbo, Donald E. Chaos Theory, Asimov’s Foundations and Robots, and Herbert’s Dune, by Ferenc Zoltán Simó............................................................. 250 NOTES ON CONTRIBUTORS............................................................. 253
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